#Yamaha yts 62 tenor saxophone neck g1 mercado livre free

#Yamaha yts 62 tenor saxophone neck g1 mercado livre free

It feels less free blowing than an SBA, your average Mark VI and the Custom EX. Selmer's Reference 36 seems to take the more modern approach. G1 neck also provided a little more core to the sound. The G3 neck didn't respond quite as quickly.

The free blowing feel of the Custom EX does require the added air support and focus, but it also adds a greater flexibility and range of color to the tone.ДЄ quick note on the Yamaha necks - The main reason I prefered the Custom G1 neck over the Custom G3 neck is because it provided a nice balance between a free blowing feel and quick response while moving up and down the horn.

That crutch can also be a disadvantage because it often results in a less malleable tone. A horn with more back pressure or resistance requires less air support and focus for quick response from note to note, one of the advantages and what some consider to be a crutch of most modern horns. This means the Custom EX requires more air support and focus, much like a vintage horn, to maintain a supported tone as you move from note to note. Its not quite as free blowing as my SBA but it comes closer than most modern horns I've played. It is very free blowing and has very little back pressure. The Custom EX really shines in the feel of blowing through the horn. Its tone reminds me a lot of Yamaha's Custom Z which I reviewed last week.

The Reference 36 tone has plenty of core or meat to it. It has a big focused tone and sounds less spread than an SBA. The Reference 36 tone reminds me more of a Mark VI than an SBA or the earlier Balanced Action. I believe the SBA has a little more core or meat to the tone than the EX, but there is a marked similarity between the two. There are plenty of deep overtones present in the tone also similar to the SBA. The Custom EX's tone is similar to an SBA. I believe you can get the best results out of the EX with the Custom G1 neck, and I'll go into the details on the necks later. Despite the 'Balanced' of the previous model being formally changed to 'Super' as the new line launched, Super Balanced Action is the name most of the sax community uses today.Д«efore I get started I should mention that I originally played the Custom EX with its Custom G3 neck, which was good, but the EX played even better with the Custom G1 neck I borrowed from the nearby Custom Z. The SBAs were actually labeled Super Action and not Super Balanced Action by Selmer. For those of you who are in the loop, here is a lesser know fact for you. Both the Mark VI and SBA are two of the most coveted saxophone models of all time. I've also recently play tested a Selmer Reference 36 Tenor, which is Selmer's modern horn 'built in the spirit' of their original 1936 Balanced Action (similar to the SBA in feel and tone), so I thought it would be remiss if I didn't comppare the Custom EX and the Reference 36 for all of you looking to get a saxophone similar to the SBA without paying anywhere from $6,000 (Ebay) to $14,000 (Roberto's in NYC).ДЇor those of you who are feeling out of the loop Selmer's SBA (Super Balanced Action) is their model that came after the 1936 Balanced Action and before the 1954 Mark VI.

If the Custom Z reminds me of the Mark VI, Yamaha's Custom EX reminds of Selmer's Super Balanced Action even more so. Last week I wrote that Yamaha's Custom Z tenor sax was similar to the Selmer Mark VI at least in the focused, warm yet punchy sound it produces.